Tony Donaldson
Tony Donaldson is a freelance commercial and editorial photographer based in the Los Angeles area who specializes in personalities and sports images. People are his passion, whether they are top athletes or celebrities or timid executives. His work has been featured in numerous publications, including ESPN the Magazine, Time, Millimeter, and Hot Rod, as well as several books and calendars. Tony’s photography has appeared in ad campaigns for Panasonic, Zero Motorcycles, K2, Maxxis Tires, Redline Bicycles, Eastwood Ranch clothing and more. He has written two books on BMX, was a regular contributor to Xtreme Video magazine and speaks around the country on shooting action sports.
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Friday, October 17, 2008
How to use shutter speeds you never thought possible with flash to open an amazing world of possibilities.
Back in the earliest years of the 21st century, when many of us were just switching to digital, any DSLR with an interline-CCD had a fantastic advantage. It would sync with flash at ANY shutter speed. The early Nikon D1, D1x and D1h, as well as the Canon 1D and a couple of others had this. They don’t use the physical shutter to make an exposure. Instead, the shutter gets out of the way, and the sensor is read for the desired amount of time. Most claimed they’d sync at 1/500, and any dedicated flash would keep the shutter speed there or below. But hooking up a set of portable strobes like the Dynalite Action Pack allowed sync at all speeds (though after 1/4000 of a second, give or take, the camera reads the exposure for less time than the flash duration so you start to lose light). The camera was unaware of the flash other than firing the impulse, and that was fantastic for overcoming harsh sunlight without having to use a grip truck full of lighting.
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