Tony Donaldson

Tony Donaldson is a freelance commercial and editorial photographer based in the Los Angeles area who specializes in personalities and sports images. People are his passion, whether they are top athletes or celebrities or timid executives. His work has been featured in numerous publications, including ESPN the Magazine, Time, Millimeter, and Hot Rod, as well as several books and calendars. Tony’s photography has appeared in ad campaigns for Panasonic, Zero Motorcycles, K2, Maxxis Tires, Redline Bicycles, Eastwood Ranch clothing and more. He has written two books on BMX, was a regular contributor to Xtreme Video magazine and speaks around the country on shooting action sports.

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Interview: Wayne Belger’s “Untouchable” camera with HIV positive blood coursing through it’s veins
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Podcast interview on ESPN Action Sports
Monday, February 21, 2011

Interview: Wayne Belger’s “Untouchable” camera with HIV positive blood coursing through it’s veins

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I read a lot of articles about all kinds of interesting things. Sometimes these things are the springboard to something else entirely. I was reading a story in the British Journal of Photography on do-it-yourself photographers who build their own equipment for their specific needs. That’s awfully familiar, I’ve done quite a bit of that myself. But that wasn’t the most interesting part. That came not from the article, but from the comments left after the article. There was one about a one-of-a-kind camera that was as much a part of the art and artist as it was a tool to create interesting art.

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Interview: Wayne Belger’s “Untouchable” camera with HIV positive blood coursing through it’s veins

Tony Donaldson | 02/21- 02:00 PM





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Interview: Wayne Belger’s “Untouchable” camera with HIV positive blood coursing through it’s veins

Tony Donaldson | 02/21- 02:00 PM

I read a lot of articles about all kinds of interesting things. Sometimes these things are the springboard to something else entirely. I was reading a story in the British Journal of Photography on do-it-yourself photographers who build their own equipment for their specific needs. That’s awfully familiar, I’ve done quite a bit of that myself. But that wasn’t the most interesting part. That came not from the article, but from the comments left after the article. There was one about a one-of-a-kind camera that was as much a part of the art and artist as it was a tool to create interesting art.

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