Tom Bol

Tom Bol is an editorial and commercial photographer based in Colorado. His career started with a degree in journalism and background as an outdoor guide. After school he led multiple Himalayan climbing expeditions, kayaked two months straight in Patagonia and guided wilderness expeditions around the world, always with camera in hand.

He specializes in adventure sports, portraits and travel. His editorial assignments have ranged from photographing mountaineering rangers on Alaska’s Mt. McKinley to sea kayaking in Honduras. He is a contributing photographer at Canoe and Kayak magazine and a regular contributor for Digital Photo and Outdoor Photographer magazine. He is also an online instructor at Kelby Media. His commercial work varies from shooting national ads for camera companies to creating images for worldwide tourism campaigns. Tom was on the list of National Geographic Adventure’s “50 of America’s Top Visionaries” for his photography, and Nikon, Elinchrom, and Lowepro have featured his work. He speaks regularly at tradeshows for Nikon and Manfrotto, and is a frequent workshop teacher. His images and stories are published worldwide by a variety of clients.


Monday, February 07, 2011

HDR Efex by Nik

HDR processing made simple.

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HDR, or high dynamic range, photography has become very popular in the last few years. This process allows the photographer to render details in high contrast scenes including sunny day landscapes and building interiors, both shadows and highlights will have detail.  All you need to do is bracket your exposures 1/2 stop or more for multiple frames.  I often bracket around 1 stop for 5 frames to get good results.  Using HDR techniques in Arches National Park in the middle of the day I could shoot Double Arch and still get details in my shadows while not blowing out my highlights.

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Thursday, February 03, 2011

Slow Down the Water

Use the Singh-Ray Vari-ND filter to create silky water and surf.

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When I teach my photo workshops students often ask is there a right or wrong way to capture moving water.  My response is “it depends.”  The bigger question is what type of water will best contribute to the overall mood and atmosphere of the image?  If I am shooting a tranquil calm scene, then most likely I will want my water slow and silky.  If I am shooting a kayaker paddling off a waterfall, then this adrenaline shot requires water droplets frozen in the air for the right effect.

But what do you do if it is in the middle of the day under sunny skies.  Even with your ISO at 100 and aperture set to F22, you still can’t get exposures 1 second or longer.  You could add a polarizer which will help block out another stop or so of light, but still not slow enough.  The filter I use to accomplish this is the Singh-Ray Vari-ND.  This filter fits on 77mm lenses, and can block from 2-8 stops of light.  This enables me to shoot very long exposures in the middle of the day, even 30 seconds! 

Super slow exposures result in ‘cotton water’, while exposures closer to a second will have some stream detail.  The decision is yours, but photograph water that adds to the feel and mood of your image.  The best shots have design elements that compliment each other, not work against one another.

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Monday, January 31, 2011

Panos made easy with BH55 PCL

Use the Really Right Stuff BH55 PCL Pano Head for easy panoramic images.

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I have been on the road the last three weeks shooting an assignment, and had a chance to use a new tripod head.  If you like to shoot panoramic images, then you should take a look at the Really Right Stuff BH55 PCL head. This tripod head has a fluid rotating head on top of the standard tripod platform. There is a bubble level on top. To use the head, simply level the tripod head using the bubble, then loosen the rotating head controlled by a small screw.  Then shoot your images giving about 30 percent overlap in each shot. Remember to keep things consistent with each image; no polarizers, adjusting exposure, changing apertures…you need consistent shots to merge in Photoshop. Using the head this way does not compensate for the nodal point, but RRS has a bracket for this as well.

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Sonnet Echo Expresscard Thunderbolt Adapter Review

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Photography: What’s real, what’s not and does it matter?

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Is there such a thing as integrity in a photograph?

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Back again! Free Canvas Wrap Contest from The Giclee Factory

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New Black and White canvas printing - contest info at end.

How to make money with really big portraits

Sara Frances | 04/13- 05:39 AM

You’ve got another chance at learning Profit Secrets from family portraiture.

Canon Announces The EOS-1D C - Packs 4K Video Into The EOS-1D X !

Dan Carr | 04/12- 09:48 AM

Is this the ultimate combo cam ?  18MP stills & 4K video

3-part Secret to Perfect Family Portraits

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Is this disaster how some of your groups turn out! Great for comedic relief, but generally people want to see traditional smiling faces.






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Sonnet Echo Expresscard Thunderbolt Adapter Review

Dan Carr | 05/19- 10:20 PM

Testing the only current Thunderbolt CF card reader option

I’m sure by now that you are aware of the Thunderbolt standard and how it has a theoretical throughput that is much faster than Firewire 800, USB 2 or 3 and eSATA.  Like many people I excitedly bought one of the newer Macbooks last year when they first featured Thunderbolt ports but sadly Thunderbolt accessories have been relatively thin on the ground.  Some blame high licensing fees imposed by Apple and Intel whilst some blame technical difficulties and incompatibilities with the implementation of the technology.  I’ve had my Macbook Air for nearly a year now and until the Sonnet Echo arrived on my doorstep I hadn’t plugged a single Thunderbolt product into it.

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Photography: What’s real, what’s not and does it matter?

Matt Brandon | 05/08- 07:38 PM

Is there such a thing as integrity in a photograph?

I got some flack on Facebook about a past post on my blog . I received a comment from a reader or two stating they felt that what they saw in the produced images was not real. Meaning, after running through my workflow in Lightroom the images no longer represented reality. I have gotten this kind of feedback many times in the past. I think people are rather shocked at seeing a photo “undressed”. It’s a bit like seeing a high-fashion model on the streets without any makeup, it can be scary.

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