Richard Harrington A certified instructor for Adobe, Apple, and Avid, Richard Harrington is a practiced expert in motion graphic design and digital video. His producing skills were also recognized by AV Multimedia Producer Magazine who named him as one of the Top Producers of 2004.
Rich is a member of the National Association of Photoshop Professionals Instructor Dream Team, and a popular speaker on the digital video circuit. He is also an instructor at the Art Institute of Washington and the American University in Washington, D.C.
Rich is an internationally published author. His book, Photoshop CS for Nonlinear Editors, was the first of its kind to focus on Photoshopâ's application in the world of video. He is also a contributing author for Final Cut Pro On the Spot, After Effects On the Spot, After Effects at Work, and The Photoshop World Dream Team Book, Volume 1. A Masters Degree in Project Management fills out Rich's broad spectrum of experience.
I spent the day in New York city at the 2009 Photo Plus Expo show. It was just a one day trip (thanks Amtrak Acela). I went up for lots of reasons, but here’s some of the gear I saw that looked interesting.
Instructor Richard Harrington shows you how to use the powerful commands in Aperture 2 that allow you to adjust the highlights and shadows in an image.
I often see people struggling with brushes in Photoshop. Brush control is essential for many tasks besides painting, you’ll need precise control for masking, retouching, and creating selections. With this in mind, here are my favorite shortcuts for getting things done.
I’m a big fan of what’s possible with Adobe Bridge. The latest edition has added great web galleries and contact sheets. Adobe has tweaked Bridge CS4 and added headers and footers to PDF contact sheets and slideshows. The web galleries are also tweaked to offer smaller file sizes. You can download the update for Mac and Windows from Adobe.com.
I am proud to announce that my new book, Understanding Adobe Photoshop CS4 is now shipping. This is the second edition of the book and it is fully updated for CS4 (even if you’re using CS3, you’ll find it a big help.) The book covers all sorts of great new features in Photoshop and I significantly revised it with nearly 100 new photos.
Is there such a thing as integrity in a photograph?
I got some flack on Facebook about a past post on my blog . I received a comment from a reader or two stating they felt that what they saw in the produced images was not real. Meaning, after running through my workflow in Lightroom the images no longer represented reality. I have gotten this kind of feedback many times in the past. I think people are rather shocked at seeing a photo “undressed”. It’s a bit like seeing a high-fashion model on the streets without any makeup, it can be scary.
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