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Tuesday, February 08, 2011

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Mastering the 85mm f/1.2? Not quite.

Matt Brandon | 02/08

This beast is untamable, but at least you can learn it’s tricks.

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One of my blog readers, asked if I would write about how I use the 85mm 1.2. He seems to think I have “mastered it”. Let me put that thought to rest right now. No way have I master the 85 1.2. This little lady is just plain tough to use. But there are some things to be aware of. First, remember that between 1.8 and 1.2 your depth of field is very, very shallow.

When I say shallow, I mean one eye in focus and the other eye out or worse, eye lashes in focus and the eye out. Sometimes you can get away with, one eye out and the other in (hmm, that sounded odd), but most of the time it is just uncomfortable to view. If there is any trick to shooting at such a shallow depth of field (DOF) it is in knowing what aperture will give you what DOF at what distance and how to control it or use it.

Remember, that your image plane is flat and the glass of the lens is perpendicular to it (unless you are shooting a Tilt and Shift lens) and you are focusing with a very limited DOF. So if you are shooting straight on (see fig. 1), then the subjects eyes and maybe their shoulders might be in focus. But, if you tilt the camera down and angle it, the image plane shifts.  The eyes and maybe the nose will be in focus, but you pull the image plane away from the body and thus everything drops off and you get a very soft effect (see fig 2). But again, over all there really is no trick. Just a matter if remembering the closer you are to your subject the shallower your DOF will become. So if shooting at 1.2 as close as the lens will let you focus, then there is a chance only the eyelashes and the iris will be in focus. But, even at 1.2 if you back up 10 feet or so, your whole subject will be in focus and your background a soft milky bokeh.


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fig. 1 Shooting parallel to the subject.

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Parallel to the subject.

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fig. 2 Shooting at an angle to the subject.

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At an angle to the subject.

 

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NAB 2012: Cameras & Lenses

Adam Wilt | 05/02

A brief sampling of interesting photographic tools at NAB.

I’ve already covered the basics of what Sony and Panasonic announced, as well as looking at Canon’s…

NAB 2012: Mini Dolly Slider

Bruce A Johnson | 04/17

For those REALLY low-angle shots.

Skateboard wheels are in a lot of booths here at NAB 2012, but none go lower than the ones on the Mini Dolly Slider.

Quick Look: Alpha A-mount Lenses on the FS100

Adam Wilt | 02/26

Using Sony A-mount (and a couple of E-mount) lenses for video on the NEX-FS100.

Sony sent me an NEX-FS100 to review , and included seven additional lenses: three A-mount zooms, three A-mount primes, and the E-mount…



For me the most challenging use of this lens is that it’s heavy weight makes the focussing much slower than it’s brother the 85MM 1.8. In the time it takes the motor to move 2 pounds of glass, my subject has disappeared… Otherwise a beautiful lens.

Posted by Sara Frances  on  02/13  at  05:26 PM


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Photography: What’s real, what’s not and does it matter?

Matt Brandon | 05/08- 07:38 PM

Is there such a thing as integrity in a photograph?

I got some flack on Facebook about a past post on my blog . I received a comment from a reader or two stating they felt that what they saw in the produced images was not real. Meaning, after running through my workflow in Lightroom the images no longer represented reality. I have gotten this kind of feedback many times in the past. I think people are rather shocked at seeing a photo “undressed”. It’s a bit like seeing a high-fashion model on the streets without any makeup, it can be scary.

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Phottix’ New Odin Off-Camera E-TTL Wireless Trigger

Matt Brandon | 10/16- 05:01 PM

Off-Camera Flash Made Easy By Phottix

Let me set the record straight right here; I am not a strobist. Ninety five percent of the time I shoot with available light, the other five percent I shoot with my flash set to rear curtain sync (It’s fun. You should try it!) I really don’t like the ugly flat light that on-camera flashes give a subject. Off-camera lighting is wonderful, but until recently with a Canon you only got E-TTL metering by using the short irritating OC-E3 cable.

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