Matt Brandon talks with Pulitzer Prize-winning photographer Deanne Fitzmaurice about her work in still and multimedia.
In this interview I speak with Deanne Fitzmaurice about her long career in photojournalism and her new love multimedia. She shared with me how she creates her award-winning multimedia projects, and the back story how Think Tank camera bags was founded.
Deanne grew up in Massachusetts, but moved to San Francisco to be an art student, before taking up photography. Deanne worked at the San Francisco Examiner, later moving to its rival the San Francisco Chronicle. Deanne has a passion for humanitarian documentary photography for which she won the Pulitzer Prize in 2005. As a staff photographer for 20 years at the San Francisco Chronicle she has experience photographing a wide range of subjects including news, politics, sports, and entertainment. Assignments include Super Bowls, Baseball World Series, photographing politicians President Barack Obama and President Bill Clinton.
Deanne is one of 13 photographers chosen internationally to be a member of Microsoft’s prestigious Icons of Imaging program. She is a co-founder of Think Tank Photo, makers of some of the industry’s best camera bags. You can view her work at her website and blog. A taste of her multimedia work titled Family Kocktail can be found at MediaStorm.
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Is there such a thing as integrity in a photograph?
I got some flack on Facebook about a past post on my blog . I received a comment from a reader or two stating they felt that what they saw in the produced images was not real. Meaning, after running through my workflow in Lightroom the images no longer represented reality. I have gotten this kind of feedback many times in the past. I think people are rather shocked at seeing a photo “undressed”. It’s a bit like seeing a high-fashion model on the streets without any makeup, it can be scary.
Let me set the record straight right here; I am not a strobist. Ninety five percent of the time I shoot with available light, the other five percent I shoot with my flash set to rear curtain sync (It’s fun. You should try it!) I really don’t like the ugly flat light that on-camera flashes give a subject. Off-camera lighting is wonderful, but until recently with a Canon you only got E-TTL metering by using the short irritating OC-E3 cable.
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