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Monday, January 10, 2011

Filed under: DSLRMarket ServedTravelNewsProductsCameras

Fujifilm Finepix X 100 Preview

Dan Carr | 01/10

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Fujifilm’s X100 was first revealed at Photokina in 2010 and it’s retro styling instantly captured peoples attention.  The X100 has yet to hit store shelves but Fujifilm has been slowly releasing more and more information about this camera to tantalize prospective buyers.  Sadly this is a hands-off preview, I have not yet used one of these cameras in person but since we still don’t know exactly when this camera will come onto the market I thought I’d write a little about what we already know of the camera.

The important specifications:

  • 12.3 MP APS-C CMOS sensor
  • Fixed 23mm (35mm equiv.) f2.0 Fujinon Aspherical lens
  • Magnesium top and bottom plates
  • Hybrid optical/electronic viewfinder
  • Aperture ring on lens
  • Top plate dials are metal
  • Manual focus ring on lens
  • 2.8″ LCD screen
  • 10cm close focus distance for macro shots
  • Built in 3-stop neutral density filter
  • 720p video recording with stereo sound
  • SD Card compatible
  • Diminutive size (126 x 74 x 53 )

These are the main specs that get me pretty excited about this camera.  I recently tested out the Leica X1 and I really enjoyed using it because it was an incredibly powerful tool in such a small package.  Like the X100, the Leica X1 also has an APS-C sized sensor which allows for a shallower depth of field and much better low light performance.  Let’s look a little closer at some of these X100 features and details.

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APS-C Sensor

imageThis size of sensor is more often seen in a typical SLR camera and is many times larger than the sensors seen in most typical compact cameras.  As I mentioned above, this gives you much better low light performance because the individual pixels on the sensor are far more spaced out and hence create less digital noise.  With the Leica X1 , which has a similar sized sensor to the X100, I was quite happy with images shot at iso 2500 and even 3200.  On my current Canon point and shoot camera , photos shot at comparable iso speeds are simply unusable so the larger sensor makes a huge difference for low-light captures.  A secondary benefit of this sensor size is the shallow depth of field that is available with a wide aperture lens.  The larger the sensor, the shallow the DOF for a given focal length and aperture.  So if you want to get a nice out of focus background to your images, the APS-C sensor and the f2 lens will really help you with this.  Overall we can expect the images to much sharper than anything that a point and shoot camera could achieve, but from a physical package that is not much bigger (although more expensive).

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Fixed f2.0 lens

A lot of people cried out when they saw that this camera had a fixed lens.  In the year of the compact Micro Four Thirds cameras why would someone not make an interchangeable lens camera ?  It may just be that Fujifilm did not want to jump into the Panasonic / Olympus / Sony fight that is happening in that sector.  By going the route of the fixed lens large sensor compact, their competition is the Leica X1 and the Sigma DP2.  The Sigma never really got a lot of love due to dull design and mediocre performance and the Leica is held back by the high price tag which puts it out of many peoples reach.  So to me it seems like a smart move to go the route that Fujifilm has chosen.  The 35mm equivalent focal length has long been a favorite for general purpose photography and I think its a great decision.  Having a prime lens instead of a zoom lens keeps the physical size down to a minimum and allows for a wider (f2.0) aperture.  Typically prime lenses are of a much higher quality than zooms too so we can expect a great image to come from the Fujinon glass.  The aperture ring and manual focus ring on the lens are a great touch and will really add to the experience for those photographers who prefer to shoot manually.  The only other camera I have used with a manual aperture is the Leica M9 and it really helps to connect you to the camera and get you thinking more about the photos you are taking.  Manual focus on the Leica X1 is terrible as it is all done with a focus by wire system that frankly leaves you feeling totally disconnected to the camera so this X100 should feel a lot better.  An interesting fact is that using a fixed lens like this allows the actual sensor to be customized to the lens.  Certain parts of the sensor can be designed to receive the light from the lens at a more oblique angle than normal.  If you have interchangeable lenses you need to have the sensor ready to receive light at a more perpendicular angle as you need to be prepared for many lenses.  Matching the sensor design to the lens means there is a back focus distance of less than 6mm on this lens which is VERY close to the sensor making it a much more compact solution that a 24mm f2 lens would have been if it was removable.

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Post-NAB HDSLR Wrap Up

Dan Carr | 04/20- 07:15 PM

All the HDSLR news you need to know about from NAB 2012

The National Association of Broadcasters show has just wrapped up in Las Vegas and I was down there for a few days to check out some of the new gear.  I’ll be covering some products in more detail in the near future but we’ll start off with a wrap up of some of the coolest new HDSLR gear coming to market this spring and summer.

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Canon Announces The EOS-1D C - Packs 4K Video Into The EOS-1D X !

Dan Carr | 04/12- 09:48 AM

Is this the ultimate combo cam ?  18MP stills & 4K video

With just a few days until NAB 2012 Canon have unveiled two new additions to their Cinema EOS lineup.  You can read all about the C500, their new cinema camera, over on our sister site PVC but here on PPC I want to talk a little bit more about the new EOS-1D C which I think is safe to say is now Canon’s flagship HDSLR.  Combining all the photographic features of the previously announced EOS-1D X, but now adding 4k video recording as well, Canon have produced something unique.

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