 |
 |
|
|
|
|
 |
(Page 1 of 1 pages for this article )
Tuesday, January 11, 2011
When in Rome, Don’t Do As The Romans Do
Chris Meyer | 01/11
Don’t forget to look down and around when photographing a famous site.
We spent the holidays traveling around Arizona and New Mexico, fitting in a few hikes and sightseeing excursions as we went. One hike was Red Rock Crossing - Crescent Moon in Sedona, which ends in a view of the west face of Cathedral Rock. As Laurent Martrés notes in his very useful Photographing the Southwest books , “this classic photograph has become just as cliché as, say, Delicate Arch”. Adding to the feeling of “what can I do here that hasn’t already been done?”, trip timing required that we visit in the morning, rather than the preferred late afternoon.
Anticipating that I would spend most of my time photographing the far-off buttes, I mounted my Canon EF 100-400mm to my 5D and brought along a monopod for the hike. However, I was quickly reminded (thanks to the guard squirrel pictured at left, which initially blocked our path) that some of the most interesting shots to be had were nearby or literally at my feet - and not of the buttes. So when going to photograph a “destination”, remember that it pays to keep an open mind - and carry an extra lens. Here’s a few shots I took that day:
The view from afar, at the start of the hike. It had snowed just a couple of days before.

Reeds and bamboo provide interesting abstracts of lines and shapes.

The combination of snow plus foliage in various states also provides some opportunities for abstract composition.

There is also a mill with weathered surfaces to photograph along the path. I had to back up nearly to the creek to frame this with my too-long lens.

The rock outcroppings at the “beach” near Oak Creek contained numerous pools of frozen water, which presented numerous vignettes. (Again, having only a telephoto lens with me made literally shooting my own feet rather more difficult…)

Don’t forget to turn off autofocus every now and then! These were crystals on the surface of one pool of ice, with the contrast cranked up in Photoshop’s Camera Raw dialog.

Oh, yes - the reason we came! Cathedral Rock.
Our photographs and artwork, as well as content contained in our books, videos, blogs, and articles for other sites are all copyright Crish Design, except where otherwise attributed.
(Page 1 of 1 pages for this article )
Steve Hullfish | 06/20
Marrying Avid, a 5D Mark II and a ZOOM H4N
PluralEyes has really made a name for itself with editors as the DSLR workflows have been explored more and more. PluralEyes is a software solution that allows you…
|
Dan Carr | 06/01
Revisiting an old classic that’s soon to become a bargain.
Canon will launch a new version of this awesome 500mm super telephoto lens later in the year but it doesn’t mean the old version isn’t still an amazing piece of glass.
|
Sara Frances | 04/19
If I were allowed only one lens, this is what I’d pick!
Close-ups are more popular than ever, thanks to TV and movies. I’m a totally happy photographer behind a medium length 85 or 100MM length lens, because I can avoid postproduction time to crop, the consequent…
|
|
 |
|
Chris Meyer | 10/05- 08:29 AM
One of most recent works was the cause of serious soul-searching over the nature of my art.
Ever have one of those pieces that you put in a drawer for a couple of years, pulling it out periodically only to shove it back in because your head wasn’t in the right space yet to deal with it? That’s the underlying story behind this piece, The Object. In this case, it wasn’t just the image I was having trouble with - it was also the text I decided to attach to the image to give it a story. But sometimes, you just have to challenge yourself.
In this article, I want to share both the technical details of how this piece came together, as well as my internal conversation over the nature of abstract art and how it relates to photography.
Chris Meyer | 08/20- 08:06 PM
My process for creating a mixed media piece about knowledge systems.
It’s been awhile since I walked through the creation of one of art pieces that started life as a photograph, so I thought I’d pick one of my favorites: Seeking to Understand. Although it was created a couple of years ago just after I moved to New Mexcio, the process is similar to that of many of my current works.
To be considered for listing, contact pr (at) provideocoalition (dot) com
|
 |
 |