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Monday, January 31, 2011

Filed under: Market ServedNatureTechnique

Day for Night

Chris Meyer | 01/31

Who needs the sun, when you can just keep the shutter open longer?

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photo by K.C. Alfred from Gizmodo’s “Photos of Day Taken at Night”

As some of you no doubt know (but which I just discovered today), Gizmodo regularly has a set of shooting challenges. The most recently posted results concern shooting a night, but an exposure long enough that the result is bright enough to be mistaken at first glance as daylight. The result tends toward pastel colors and dreamy motion blur of objects like the sea and clouds. I’ve been having a lot of fun taking advantage of the Camera Raw dialog to tease more out of photos shot with my 5D (which seems to have a couple of stops of latitude - a lovely sensor resides inside that body), but this opens a whole new area to explore.

imageAlthough they’re hardly day-for-night, this is as good an excuse as any to share a few photos I took at night of a very bright moon behind broken clouds. The moon heavily illuminating their “silver lining,” with a touch of the watermelon sunset colors this part of the country is known for.

These were all shot hand-held (image stabilized lens) with my 5D mkII shortly after I got it, ISO 3200, f/4.0, with exposures ranging from 1/13 to 1/2 of a second - much shorter than the 6-30 seconds typical in the Gizmodo challenge winners. After seeing the above Gizmodo piece, I went back into the Camera Raw dialog and played with higher amounts of Fill Light and Highlight Recovery on some of them to see what I could get.

Like I said - this points to an area that seems well worth exploring. Enjoy.

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Our photographs and artwork, as well as content contained in our books, videos, blogs, and articles for others sites are all copyright Crish Design, except where otherwise attributed.

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Approaches to Light Painting

Chris Meyer | 04/25

I’d like to share some alternate techniques I’ve been playing around with.

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In simple terms, “light painting” involves taking long-exposure photos in nominally dark environments, where you artfully set up or move a light source to either reveal an otherwise-hidden…

Chromatic Aberration

Chris Meyer | 04/21

Recognizing and fixing a problem you might not even know you had.

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Chromatic Aberration is the culprit behind colored fringing - often cyan or red, and vertical in direction - appearing on high-contrast…

Snowblind

Chris Meyer | 02/14

Taking advantage of Camera Raw to recover detail in a blown-out scene.

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A few years ago, I made a decision: I was going to save every image I shot using the Camera Raw file format. This decision is as automatic as waking up for professional…



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The Object

Chris Meyer | 10/05- 08:29 AM

One of most recent works was the cause of serious soul-searching over the nature of my art.

Ever have one of those pieces that you put in a drawer for a couple of years, pulling it out periodically only to shove it back in because your head wasn’t in the right space yet to deal with it? That’s the underlying story behind this piece, The Object. In this case, it wasn’t just the image I was having trouble with - it was also the text I decided to attach to the image to give it a story. But sometimes, you just have to challenge yourself.

In this article, I want to share both the technical details of how this piece came together, as well as my internal conversation over the nature of abstract art and how it relates to photography.

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Seeking to Understand

Chris Meyer | 08/20- 08:06 PM

My process for creating a mixed media piece about knowledge systems.

It’s been awhile since I walked through the creation of one of art pieces that started life as a photograph, so I thought I’d pick one of my favorites: Seeking to Understand. Although it was created a couple of years ago just after I moved to New Mexcio, the process is similar to that of many of my current works.

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