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Chris Meyer
Chris Meyer of Crish Design has been involved in both the music industry as a musician, sound designer, recording engineer, and designer of electronic instruments and recording devices; as well as the motion graphics industry where he and his wife Trish create animations for broadcast, film, special venues, trade shows, and web sites. However, before both, he had an interest in photography - an interest he continues to nurture today through the use of photographs as the starting point in mixed media art, often employing experimental printing techniques. 
October 2011August 2011April 2011February 2011January 2011November 2009October 2009September 2009Complete ArchivesCategory Archives
The ObjectSeeking to UnderstandReview: Ilford Galerie Smooth Gloss and Pearl PapersQuick Review: Manfrotto 055CXPRO4 Carbon Fiber Q90 4-Section TripodReview: Manfrotto 327RC2 Handle-Grip Ball Head with Quick ReleaseApproaches to Light PaintingChromatic AberrationLight Painting WiFiUsing Photoshop’s View > Proof Colors to Head Off Problems Before PrintingDigital Printing 101SnowblindThe Chapel: A Timelapse HDR Short FilmTwo 80 Megapixel CamerasDay for NightFresh Snow on a SeedlingAvian AspirationsTrying to Lighten UpWhen in Rome, Don’t Do As The Romans DoBeauty in DecayTimelapse Motion ControlDeconstruction 1.1Let It SnowProject Icarus: Near-Space Photography for Under $150PhotoSketch Image MontageExtended Shutter Fun |
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SnowblindTaking advantage of Camera Raw to recover detail in a blown-out scene.
A few years ago, I made a decision: I was going to save every image I shot using the Camera Raw file format. This decision is as automatic as waking up for professional photographers, but may bring apprehension for many amateur and semi-pro shooters. Indeed, I dare say more are creating multi-image HDR files (thanks to the profusion of tools available today - even for cell phone cameras!) than using Camera Raw. Therefore, I’d like to walk through how Camera Raw saved what would have been an otherwise unusable shot in hopes that it helps convert a few more into taking advantage of this format. more »Page 1 of 1 pages |
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Snowblind
Taking advantage of Camera Raw to recover detail in a blown-out scene.
A few years ago, I made a decision: I was going to save every image I shot using the Camera Raw file format. This decision is as automatic as waking up for professional photographers, but may bring apprehension for many amateur and semi-pro shooters. Indeed, I dare say more are creating multi-image HDR files (thanks to the profusion of tools available today - even for cell phone cameras!) than using Camera Raw. Therefore, I’d like to walk through how Camera Raw saved what would have been an otherwise unusable shot in hopes that it helps convert a few more into taking advantage of this format.
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