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Chris Meyer
Chris Meyer of Crish Design has been involved in both the music industry as a musician, sound designer, recording engineer, and designer of electronic instruments and recording devices; as well as the motion graphics industry where he and his wife Trish create animations for broadcast, film, special venues, trade shows, and web sites. However, before both, he had an interest in photography - an interest he continues to nurture today through the use of photographs as the starting point in mixed media art, often employing experimental printing techniques. 
October 2011August 2011April 2011February 2011January 2011November 2009October 2009September 2009Complete ArchivesCategory Archives
The ObjectSeeking to UnderstandReview: Ilford Galerie Smooth Gloss and Pearl PapersQuick Review: Manfrotto 055CXPRO4 Carbon Fiber Q90 4-Section TripodReview: Manfrotto 327RC2 Handle-Grip Ball Head with Quick ReleaseApproaches to Light PaintingChromatic AberrationLight Painting WiFiUsing Photoshop’s View > Proof Colors to Head Off Problems Before PrintingDigital Printing 101SnowblindThe Chapel: A Timelapse HDR Short FilmTwo 80 Megapixel CamerasDay for NightFresh Snow on a SeedlingAvian AspirationsTrying to Lighten UpWhen in Rome, Don’t Do As The Romans DoBeauty in DecayTimelapse Motion ControlDeconstruction 1.1Let It SnowProject Icarus: Near-Space Photography for Under $150PhotoSketch Image MontageExtended Shutter Fun |
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Day for NightWho needs the sun, when you can just keep the shutter open longer?
As some of you no doubt know (but which I just discovered today), Gizmodo regularly has a set of shooting challenges. The most recently posted results concern shooting a night, but an exposure long enough that the result is bright enough to be mistaken at first glance as daylight. The result tends toward pastel colors and dreamy motion blur of objects like the sea and clouds. I’ve been having a lot of fun taking advantage of the Camera Raw dialog to tease more out of photos shot with my 5D (which seems to have a couple of stops of latitude - a lovely sensor resides inside that body), but this opens a whole new area to explore. more »Page 1 of 1 pages |
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Day for Night
Who needs the sun, when you can just keep the shutter open longer?
As some of you no doubt know (but which I just discovered today), Gizmodo regularly has a set of shooting challenges. The most recently posted results concern shooting a night, but an exposure long enough that the result is bright enough to be mistaken at first glance as daylight. The result tends toward pastel colors and dreamy motion blur of objects like the sea and clouds. I’ve been having a lot of fun taking advantage of the Camera Raw dialog to tease more out of photos shot with my 5D (which seems to have a couple of stops of latitude - a lovely sensor resides inside that body), but this opens a whole new area to explore.
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